Frame Composition

Try to tell the story with the camera. Think about the best angle to get across the point of each shot. Move the camera and choose the lens focal length before the camera starts rolling. Anticipate movement of the subject which will change the composition. Let the subject move within the shot, unless you have some drama to deliver by moving the camera during the shot.

Use the Rule of Thirds to locate a spot in the frame for the most important visual element, unless you want a static, symmetrical look.
Using a tripod doesn't always have to mean eye level. A low or high camera angle can help explain the drama visually.

Placing elements in different planes of distance from the camera creates depth, and brings the viewer into the action rather than observing from the side.

Motivate the move by following something moving, or revealing something new. Plan where the move will end, and hold a static shot at the beginning and end of the move.

The Rule of Thirds will provide some space ahead of a moving character.

Placing the camera closer to the axis produces head-on or 3/4-angle closeups which are stronger than profile shots from the side.
Put the nose in the middle of the frame, and focus on the eyes.

Don't lock down the camera -- allow for character movement.

Frame enlargements from Inglourious Basterds.