Note: If the book is not in the library, talk to the instructors. Most of these books can be found.
Bogart, Anne & Tina Landau. View Points: A Practical Guide to View Points and Composition. Theatre Communications Group, 2005.
Callery, Dymphna. Through the Body: A Practical Guide to Physical Theatre. Theatre Arts Book, 2002.
Carr, Cynthia. On Edge: Performance at the End of the Twentieth Century. Wesleyan University Press, 1993.
Coult, Tony and Baz Kershaw, ed. Engineers of the Imagination: The Welfare State Handbook. Revised edition, Methuen, 1990.
Doherty, Claire. Contemporary Art: from Studio to Situation. Black Dog Publishing, 2004.
Emigh, Jon. Masked Performance: The Play of Self and Other in Ritual and Theatre. University of Pennsylvania Press, 1996.
Goldberg, Rosalee. Performance Art: From Futurism to the Present. H.N. Abrams Inc., 1988.
Grotowski, Jerzy. Towards a Poor Theatre. Theatre Arts Book, 2002
Jones, Caroline A., ed. Sensorium: Embodied Experience, Technology, and Contemporary Art. MIT Press, 2006.
Kahn, Douglas. Noise Water Meat: A History of Sound in the Arts. MIT Press, 1999.
Kershaw, Baz. The Radical in Performance: Between Brecht and Baudrillard. Routledge, 1999.
Kerster, Grant H. Conversation Pieces: Community + Communication in Modern Art. University of California Press, 2004.
Lecoq, Jacques et al. The Moving Body: Teaching Creative Theatre. Routledge, 2002
Malloy, Judy, ed. Women, Art and Technology. MIT Press, 2003.
Mars, Tanya Mars & Johanna Householder, Ed. Caught in the act : an anthology of performance art by Canadian women. YYZ Books, 2004.
Oddey, Allison. Devising Theatre. Routledge, 1996
Schechner, Richard. Environmental Theatre. Applause Books; Expanded edition, 2000.
Thompson, Nato and Gregory Sholette. The Interventionists: Users' Manual for the Creative Disruption of Everyday Life. MASS MoCa Publications, 2004.
Wardrip-Fruin, Noah and Nick Montfort, Ed. The New Media Reader. MIT Press, 2003.